Gaslight Anthem Frontman Brian Fallon Working On Solo Album




Gaslight Anthem Frontman Brian Fallon Working On Solo Album


Brian Fallon of New Jersey rockers ‘Gaslight Anthem’ has revealed in a blog that alongside a new Gaslight Anthem record, he will be working on a solo album.

Having previously dismissed any suggestions of a solo album, Fallon seems to have had a change of heart and has decided a solo album would be needed to channel new material superfluous to the needs of Gaslight Anthem.

Fallon, writing on his website on 25th January, said:

“There’s no termoil (sic) or anything with Gaslight, we’re going to be writing too, but I’m sure we’re gonna need a breather after this year of touring before we go in to make our next record. So since I can’t sit still, I’m gonna make another record."

The statement would suggest that Fallon’s previous side project with Gaslight Anthem’s guitar tech, Ian Perkins, will not be releasing a follow up to ‘Elsie’ this year as hoped.

A solo album is a new direction for Fallon and seems to have been prompted not only by the imminent break in touring but by changes in his private life.

“I’ve had some really amazing things happen and some really terrible things in the last couple months. I’m definitely on a new page, and I have to start there.”

While there are no dates mentioned for release, Fallon predicts that the record could be completed “sometime this year”, and revealed that he has already started writing songs for it.




Published 18/2/2013
http://www.stereoboard.com/index.php?option=com_content&task=view&id=177431&Itemid=9&utm_source=twitterfeed&utm_medium=social&utm_campaign=news

Comments

Post a Comment

Popular posts from this blog

Five Things We Learned on a Mini UK Tour

https://tmhmusic.com/2018/06/13/five-things-we-learned-on-a-mini-uk-tour/ Tin Man Heart artist  Sonja Sleator  has recently completed a mini UK tour. Clocking up over 1,200 miles and playing shows in Edinburgh, York, Leeds and Manchester in what can only be described as a heatwave was an experience to say the least. Here are five things we learned on the tour… some more important than others. Car DIY Don’t begin to get the car/van sorted at 5pm the day before you’re set to head out. It’s admirable to ensure the oil is topped up, the tyre pressure is correct and the little bit of water will squirt up over the windscreen when you hit moth number 4,000 on the A61 near York. It’s less admirable to then get the car bonnet stuck open and have to enlist the help of a very sympathetic mechanic just so you can make the boat the next morning. Give yourself plenty of time to get the motor in good shape and account for anything going wrong, or you’ll get nowhere! Be open minded It go
Read more

Review: Stillpoint 'Some Lessons Hurt Like The Truths They Contain'

10-9-12  http://www.stereoboard.com/content/view/174753/9 Thursday saw the release of Belfast band Stillpoint’s second E.P. ‘Some Lessons Hurt Like The Truths They Contain.’ Support bands Droids, Window Seats and Deadlights didn’t just make up the numbers with performances of the highest quality, but it was Stillpoint who deservedly stole their own show. Mixing songs from their eponymous first E.P and the new release, the trio showed that they are a force to be reckoned with both locally and further afield. The E.P. itself is considerably more refined than their debut. Stillpoint seem to have honed their sound into something that is both unique and is still a reflection of their respective influences. Structurally more complex than previous songs ‘Some Lessons...’ exhibits the rapid progression of a band that, less than a year ago, underwent a complete line-up change. ‘Blind Drunk In Sastas’ is a strong opener, setting the tone with its sheer pace and hard hitting lyrics. ‘A
Read more

Review: Uber Glitterati, The Good Fight, Colenso Parade

Published BBC ATL and live on air review http://www.bbc.co.uk/northernireland/atl/review_specific310113.shtml 21-1-10 Perhaps it was the weather, but this month’s T wo Step hasn’t attracted a massive crowd as electro two-piece Uber Glitterati take to the stage. Elizabeth McGowan’s vocals shone through the melee of synths and bass, but did little to stir a mostly uninterested crowd from already established conversation. Appropriate applause was the customary audience reply to every song, but the duo’s original material lacked the kick, the bite, the killer touch needed to turn heads and demand attention. Disappointingly, a cover of Donna Summer’s ‘I Feel Love’ was the highlight of an opening act who might not have been the best suited to this bill. The Good Fight greet a marginally bigger crowd, but play with the energy of a headliner. New single ‘Kick Start’ and ‘Electric Flow,’ have the qualities of radio friendly pop, yet the quirky, unpredictability of a developing band f
Read more